The Amp 100 is the new high power addition to The Amp model line that set the standard for pedalboard sized tube/Class D hybrid guitar amps in 2018. Maximum wattage has been increased to 100w and an integrated FET boost circuit and dual control reverb has been added. A black finish with Walnut end panels and silver knobs completes the new look. The 6SN7 has a gain of about 20 and could be compared to a 9 pin 12AU7. Both have a nice tone that, to my non perfect ears, sound different than their 12a?7 counterparts. They distort nicely when overdriven and if you want a little pentode chime thrown into the mix use a 6SJ7 (kind of like a octal EF36).
Tube Matching Information:
Matched Sections Service
All our tubes are guaranteed for 3 months from the date of purchase. (Any exceptions will be noted on that tube's Warranty tab)
If you receive a tube that does not perform to the manufacturer's specifications, please do the following:
- contact us to get a return authorization
- return it via regular mail within 90 days from when we shipped it, and we will provide an exchange or refund of the full purchase price of the tube.
Returns not related to warranty or defect will be considered at our discretion, and are subject to a 15% restocking fee.
We can not accept returns that don't have an authorization, are past 3 month, or are returned improperly.
These guidelines may be updated without notice.
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Ratings & Reviews
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Open Up Your HD650/6XX cans with this Tube!
by Tony Fernandez
These sound phenomenal, mind you my ears are use to solid state amps, just got the Darkvoice, and have jumped in to this tube rolling thing recently. The Tung-Sol I grabbed from here sound great too..but these, the Electronic-HArmonix..wow, so open and spacious, and clear, everything feels tighter, faster, so good this tube.
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Worth every cent I paid, overall tone is very very pleasing
by Barney Wee -
Worth every cent I paid for. Before I forget the low shipping price (before the covid19) was a clear incentive for me to buy. OK, the quad of this tube, is on the overall well integrated. The bass noticeably palpable (not bruce lee punchy), and the highs are expressively controlled (can be a little more extended). But the overall tone is very very pleasing, nothing jumps out disproportionately. BTW, I used it on my Schiit Freya+ Preamp.
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There has been some recent discussion here of octal preamp tubes. There are several boutique guitar amps using these tubes. The octal preamp tubes I am familar with were used in tweed Fenders and many other vintage tube amps. Can I solicit some opinions from anyone who has tried any octal preamp tubes?The 6SJ7 is a pentode preamp tube that was used in the first Fender Champ. Many of these have a metal envelope, but glass bottle ones are available. Phil recently mentioned using one in a tube pedal. In the Angela Instruments online tube list, Steve compares the tone with the EF86. Sort of interesting and he has NOS 6SJ7's for $8. I wasn't able to find any new production for this tube. Has anyone out there tried this tube? Can you recommend a particular brand for tone or sturdiness?
The 6SL7 is a high Mu (amplification factor of 70) twin triode. It was used in the early Princton and Bassman. This would seem to be an excellent candidate considering it's gain but it has a reputation for being noisy. Can anyone confirm that? There seems to be only one modern version available.
Guitar Amp 6sn7 Sound System
The rest of the tweed Fenders used the 6SC7 twin triode(amplification factor 70). No modern versions are being made. Also has a reputation for being noisy. Anyone using these in a homebrew?The 6SN7 twin triode(amplification factor 20) is the octal preamp tube most people seem to be using despite it's low gain. It is said to be quieter than the other octal twin triodes and is used in many tube hi-fi amps. There are several modern versions of this tube available also. Does anyone have an idea which are the quietest and how they sound?
I am also interested in trying the 7199 in a preamp. This is a 9 pin miniature tube not an octal, but it is interesting. It has a pentode and a triode in a single bottle like the ECL82 and ECL86. But the pentode section is not a power amp like those other tubes. It is a preamp pentode. So the pentode section could be used at the input and cascaded to the triode section either before, or after, the tone controls. Should have plenty of gain. Anyone tried this tube in a preamp?
6sn7 Guitar Amp
Guitar Amp 6sn7 Sound Problems
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